Cama adentro (2004)

Late in 2001, tough economic times in Buenos Aires mean that Beba, a slim, blond, and privileged divorcée, has no money to pay Dora, a doughy, nearly-silent maid who has lived with her for almost 30 years. Dora breaths in her dignity and resigns. She wants to finish work on her own house, with her less than reliable mate, Miguel. She also looks for a new job. Beba asks her ex-husband for financial help. He demurs. Can Beba adjust to new realities, find a way to pay Dora, and honor her lifetime of service, and can either make a life without the other? Does sisterhood cross class lines?